Archive for September, 2008

Ab Absurdum

The gods had condemned Sisyphus to ceaselessly rolling a rock to the top of a mountain, whence the stone would fall back of its own weight.

- The Myth of Sisyphus

He wasn’t sure what he was expecting to see. A rare cosmological event, bright lights, falling frogs even; anything to break the status quo the universe seemed hellbent on preserving. The starry night sky amplified his loneliness. The chilly air brought out hitherto repressed memories. Clenching his fists, he muttered a curse, sat down and stared into the distance.

A year back, he had spent all his savings on a rather nice but unimpressive house that blended in with the neighborhood. It wasn’t too gaudy but it was something not every thirty two year old could afford. Determined to settle down early, he had pursued a degree, worked and attempted falling in love all at the same time. He wasn’t entirely unsuccessful and had achieved what he had set out for to an extent by the time he was twenty five; married at twenty seven, mostly because he felt it necessary to do so after courting her for over a year and a half. She was beautiful, smart and ambitious. Beauty and ambition fade. Vanity and pettiness thrive.

Lately, listlessness crept in. Again. The ambiguities and uncertainties of youth had given way to mind-numbing comfort and normalcy. There were no wars to fight, no inner demons to subdue, no women to impress and no goals to strive for. What irked him more than anything else was the fact that his life had gone exactly according to plan.

A boy on a bicycle appeared. He glanced at his watch. Seventeen past twelve.

Pretty late for you to be out isn’t it?”

Yeah, my folks don’t know.”

You should go back in. It’s late…it’s cold.”

Why are you out this late then?”

You first.”

I was bored.”

How old are you?

I’m eleven and a half…what are you doing out?”

Bored too.”

Can’t sleep?”

Yeah, look I’ll take you home.”

I can go by myself. Hey…you should get a bicycle. Beats sitting around doing nothing.”

Uh huh.”

What?”

Never mind. Go home…I’m going back in too.”

He waited for the boy to be out of sight and lit a cigarette. It was all absurd. Everything. He smiled and realized the epiphany warranted revolt. Camus would concur.

Putting out the cigarette, he walked back to his door and noiselessly turned the knob. He tiptoed to the bedroom and saw her sleeping silhouette. Calm. Almost other worldly. It hadn’t been that long since he was sure of the life he wanted to live. Things had changed. He slowly walked up to the bed and kissed her on the neck. Eyes half open, she turned around.

Where did you go?”

To get a glass of water. Go back to sleep. I’m buying a bicycle tomorrow.”

What?”

Go back to sleep.”

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So long and thanks for all the fish?

Update: We live to die another day.

The LHC gets switched on in a few hours and contrary to what lunatics may want you to believe, the world will not be swallowed by a black hole. What interests me more is as to what *will* actually come out of this 6 billion dollar science experiment. Will they find the Higgs boson? Or will Hawking win that wager?

In Carl Sagan’s Contact, governments cooperate to build this giant dodecahedron (after receiving step by step instructions from a very ambiguous extra-terrestrial intelligence). After spending trillions of dollars on a project that many believed would shape humanity’s future, remember what happened?

Nothing.

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The Fall: Tarsem Singh (2006)

http://www.imdb.com/title/tt0460791/

Ten minutes into the film and you’re certain you’ve chanced upon something rare; a film that is truly an auteur’s labor of love. The Fall is not so much about imagination as it is about childhood innocence.

In a hospital in early 20th century Los Angeles, Roy Parker (Lee Pace), a depressed and suicidal stunt man paralyzed from the waist down befriends a free spirited young girl, Alexandria (played brilliantly by Catinca Untaru, who at the time was only 6 years old) secretly hoping he can charm her enough to get a bottle of morphine. He proceeds to tell her a story that he makes up along the way and the audience is privy to a sumptuously visual tale calling into action colorful characters ranging from an angry slave to Charles Darwin and his pet monkey.

As Roy becomes progressively more depressed in the real world, his story gets darker and immerses an innocent young girl into the recesses of the mind a man on the brink of suicide. As Alexandria starts getting emotionally involved, she goes to great lengths to keep the story going, to keep Roy going, all the while hoping for a happy ending. The third act was so emotionally engaging that I have to confess, I think I may have shed a tear or two.

Shot in some 25 countries, the film is an eye-popping travelogue and the compositions of a few frames are so ridiculously brilliant that you can’t help but marvel at what goes on inside the head of the director.

The characterizations and the plot itself are deeply flawed mostly because the director pays too much attention to visual detail but you’ll be hardpressed not to overlook that. You have to hand it to Tarsem for his audacity; he shot the film over four years with his own money and never allowed studios to touch a single frame. This is evidenced by the lack of a truly uplifting ending.

For me, the film was an immensely personal experience taking me back to my childhood when bedtime stories played an integral part; perhaps the reason why I tend to go off on tangents so often. Escapism, you see, is a beautiful thing.

9.5/10

(Cross-posted on Couch Critics)

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