This is the kind of Christmas music I can get behind.
White Wine In The Sun by Tim Minchin
Music
As I write this, I’m listening to the new Coldplay album and still can’t make up my mind as to whether it’s a masterpiece or a tad underwhelming (like Narrow Stairs, the latest Death Cab album). Coldplay’s success in many ways has been a curse of sorts; critics, elitist as they are tend to distance themselves from popular music. To top it off, Viva La Vida isn’t exactly the groundbreaking title that the band’s been touting it to be.
However, the album is still very very good. There are strains of Arcade Fire, Radiohead, Keane and U2; U2 (early 80s U2) being the most predominant influence. There’s less keyboard this time, some neat guitar riffs, awesome stadium choruses and even a bongo drum. Lyrically, it isn’t too different from the usual sappy ambiguous stuff but still far superior to X&Y (Fix You anyone?). A little more political, a little more pedestrian, still very affecting. My favorite tracks as of now are Lost!, Yes/Chinese Sleep Chant, Life in Technicolor and the overplayed Viva La Vida.
Thanks to Brian Eno, this is a shiny packaged-for-the-masses product but it’s still art nonetheless. This is an album that 20 years down the line will be as fondly remembered as The Joshua Tree is today. Or not.
There are barely a handful of artists whose music perfectly accentuates whatever state I’m in. The last time I was this moved by an album was when I listened to Jeff Buckley’s Grace for the first time; an underrated (by today’s general public I mean) masterpiece – the kind of music that slowly grows on you and before you know it, consumes you.
Johnny Cash’s (1932 – 2003) American IV: The Man Comes Around is undoubtedly the work of a man relapsing into the cold comfort of religion in his last days but that shouldn’t put you off of it. Some of the tracks do have not-so-subtle religious overtones but then again, the songs are so organic, so heartfelt that you cannot help but go back and take them in all over again. One of the truly brilliant tracks on the disc is his cover of “Hurt” by Trent Reznor (yes, of Nine Inch Nails fame). The song takes a completely different meaning when sung by Cash; lending credence to that Edith Wharton saying, “There’s no such thing as old age, there is only sorrow.”
The video, for your viewing pleasure-
[youtube=http://youtube.com/watch?v=SmVAWKfJ4Go]
